What has changed in the ways images are produced and diffused following the revolts that expedited the downfall of Hosni Mubarak?
In the den of the Egypt’s imperishable state-run newspaper Al Ahram, the visitor finds a disturbing and sovereign serenity reigning on each and every floor. Through the testimony of Ahmed, a photojournalist whose words serve as commentary, Crop revisits the thirty years of censorship and compromise between the power and the media.
