After training at the Actors Studio in the late 1940s, William Greaves (1926–2014), frustrated by the stereotyped roles reserved for him, moved into directing to show reality « from a black perspective ». Symbiopsychotaxiplasm: Take One is still the most astonishing experience in his filmography. It is the story of the making of a film, edited from three embedded viewpoints. Greaves takes the role of an « ignorant director» who loses control over his feature and leads his crew – a mix of men and women, Blacks and Whites – to break free from his authority and question the meaning of the project and their place within it. As a sort of democratic metonymy, the film becomes an open-ended story about the reinvention of a collective. Camille Bui
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Symbiopsychotaxiplasm: Take One
(Symbiopsychotaxiplasm: Take One)
- United States
- 1968
- Documentaire
- Couleur
- 75′
- English
- Titre français
Symbiopsychotaxiplasm: Take One - Original title
Symbiopsychotaxiplasm: Take One - Titre international
Symbiopsychotaxiplasm: Take One - Scénario
William Greaves - Photo
Stevan Larner - Montage
William Greaves - Musique
Miles Davis - Distribution
Janus Films - Support de projection
DCP - Sous-titrage
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